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Aug 22, 2014 / 283 notes

(via cosplaysex)

rocketman-inc:

Wehrmacht solider in harsh winters on the eastern front during operation Barbarossa. 1942
Aug 21, 2014 / 186 notes

rocketman-inc:

Wehrmacht solider in harsh winters on the eastern front during operation Barbarossa. 1942

(via lucy-daughter0fthedevil)

Aug 21, 2014 / 1,575 notes

asylum-art:

The exquisite works of DZO Olivieron Behance

DARK and RED III

A series of acrylic paintings on canvas by DZO Olivier, a French artist graduated at the School of Fine Arts in Toulouse. The artist is attracted by all kinds of artistic expression. While working as a graphic designer he learned the techniques of image creation with a predilection for drawing. DZO Olivier likes to combine different styles and techniques.

 

 

(via intothebox)

Aug 21, 2014 / 1,726 notes

jameszapata:

Cyberninjas

James Zapata : CGhub | DeviantART | zapata.james@gmail.com

All images © 2009-2014 James Zapata.  All rights reserved.

(via dekroth)

Aug 21, 2014 / 15,848 notes
Aug 21, 2014 / 9,397 notes

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Aug 21, 2014 / 4,977 notes

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Aug 20, 2014 / 54,903 notes

briannacherrygarcia:

itscourtoon:

bathsabbath:

thorhugs:

compactcarl:

egriz:

im not even an artist and these prices are hurting my feelings 

This is what I have to dig through every time I look for new jobs to apply for.

For non-artists, let’s give you a little perspective.

For me, an illustration takes a bare minimum of 6 hours. Mind you, that’s JUST the drawing part. Not the research, or the communications, or gathering information. Just drawing.

That’s if it’s a simple illustration.

My art deco or more detailed stuff can take 20+ hours each.

Even simple, cartoony things still take at least 3 hours.

Let’s go with the second one. 2 illustrations for $25. Figuring 6 hours each. 12 hours total, for JUST the drawings. That’s approximately $2.08/hour. 

Asking these prices is an insult. But what’s even more hurtful is there are people out there that will take these jobs. Which only encourages rates like this to be acceptable. And there are people who will try to say these are just what you have to do to get started.

I believed that. So my first coloring gigs were just $10/page. The day someone offered me $25/page for just flatting work, I realized just how wrong I’d been. I’m still not making the rates I’d like, but now I refuse anything below $25/page. Because there is value in my time.

In any standardized industry, even ones that pay piece rate over hourly, these numbers are criminal.

Do your fellow artists a favor. Never accept jobs like these. There are others that pay legitimate rates. Or at least closer to legitimate.

Such baby bullshit. Don’t even get out of bed for these rates.

    If you are an artist who wants to make money off their art, I highly suggest you buy The Graphic Artist’s Guild Handbook. It goes in depth about copyright issues and even contains contract and model release templates. The 2013 book *I believe* states the average professional charges $72 an hour. This article calculated that to make a 40k annual salary you would need to charge about $60 per hour.

  After graduating from Art Center in 2012, I think I asked for somewhere between $35-45 an hour and got laughed at by multiple big name clients, which was infuriating, sadly expected, and terrifying with over $100K worth of student loans staring me in the face. If they tell you it will be “great exposure” that’s a red flag. Ask yourself how their exposure can compare to your Tumblr, Twitter, Instagram, Pinterest, Flickr and Facebook pages combined? 

And when you do get a decent paying gig, PROTECT YOURSELF. You have the right to negotiate and revise a contract. Do not start a job until you have a contract signed. If they don’t provide you with one, MAKE ONE. And make sure you have your bases covered. You can specify in a contract that maybe two revisions are included in your cost, and if they ask you to revise the piece more than twice, they will have to pay extra. In terms of payment schedule, I usually do the 50/50 Method (50% before, 50% after) or the 3/3/3 Method (1/3 before, 1/3 in the middle, 1/3 after all work has been received). Both of those are pretty standard in the industry, as they guarantee you will get compensated for your time, even if the job goes bad.

Remember you have a skill, and you have spent time honing that skill and you deserve to be adequately paid for that time and effort. You will have clients dismiss you because, honest to God they think, “Well, I could do that if I wanted. Hell, my five year old does it now.” No they can’t, because they didn’t, they don’t, they won’t and they probably never will. And good luck hiring a five year old. They can’t keep a fucking deadline.

And in a last ditch effort they’ll say, “But that drawing only took you an hour!” Son, that drawing took me 20. fucking. years.

10 Dollars for 1 minute of animation.  Oh my god my heart.  It took my team 6 months and a team of 12 to make a 4 minute short. 

The Graphic Artist’s Guild Handbook

I second this book! I’ve had it for several years now, and it’s been a HUGE help in my work as a freelance artist. It gives great advice on what to charge for different areas of art!

(via ouraberration)

Aug 19, 2014 / 3 notes
Aug 19, 2014 / 68 notes
Aug 19, 2014 / 1,208 notes

(via nayaroo)

Aug 19, 2014 / 1,370 notes
peacefulpandamonium:

New Bloobdorne trailer means new gifs. yissss
Aug 18, 2014 / 1,477 notes

peacefulpandamonium:

New Bloobdorne trailer means new gifs. yissss

Aug 18, 2014 / 2,285 notes
Aug 18, 2014 / 2,747 notes

bloodborne (project beast) press gameplay.

(via velstadt)